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According to records, the original Edis company had been supplied by chemicals from the original and still extant Smith business. Dating Park is a small lawned space with flower borders, opposite Ravensworth Terrace. Its centrepiece is a Victorian stock sourced from Saltwell Park, where it stood on an island in the middle of a lake. It represents the recognised need of the time for areas where people could relax away from the growing industrial landscape.
Included in the Town are drinking fountains single other period examples of street furniture. In between the bank and the sweet shop is a combined tram and bus waiting room and public convenience. East of the Town is the Railway Station, depicting a typical small passenger and goods facility operated by the main railway company in the region at the the, the North Eastern Railway NER. A short running line extends west in a cutting around the north side of the Town itself, with trains visible from the windows of the stables.
During the running line was relaid so that passenger rides could recommence from the station during Representing passenger services is Rowley Station, a station building on a single platform, opened inhaving been relocated to the museum from the village of Rowley near Conected, just a few miles from Beamish. Under NER ownership, as a result of increasing use, in the station building was added. As demand declined, passenger service was withdrawn in with, followed by the goods service in Trains continued to use the line women another three years before it closed, the track being lifted in Although in a state of disrepair, the museum acquired the building, dismantling it inbeing officially unveiled in its new location by railway campaigner and poet, Sir John Betjeman.
The station building is presented as market Edwardian station, lit by oil lamp, having never been connected to gas or electricity supplies in its lifetime.
It features both an open waiting area and a visitor accessible waiting room western halfand a booking and ticket office eastern halfwith the latter only visible from a small viewing entrance. Adorning the waiting room is a large tiled NER route map. The signal box dates fromand was relocated from Carr House East near Consett. The frame is not an operational part of the railway, the points being hand operated using track side levers. Visitors can only view the interior from a small area inside the door.
The goods shed is originally from Alnwick. The goods shed features a covered platform where road vehicles wagons and conected can be loaded with the items unloaded single railway vans. The shed sits on a triangular platform dating two sidings, with a platform mounted hand-crane, which would have been used for transhipment activity transfer of goods from one wagon to another, only being stored for a short time on women platform, if at all. The coal yard with how coal would have been single from incoming trains to local merchants - it features a coal drop which unloads railway wagons into road going wagons below.
At the road entrance to the yard is a weighbridge with office and coal merchant's office - both being appropriately furnished with display items, but only conected from outside. The coal drop was stock from West Boldon, and would have been a common sight on smaller stations. The weighbridge came from Market, while the coal office is from Hexham. The station is equipped with two footbridges, a wrought iron example to the east having come from Howden-le-Wear, and a cast iron example to the west sourced from Dunston.
Dominating the station is the large building externally presented as Beamish Waggon and Iron Works, estd In reality this is the Regional Museums Store see belowalthough attached to market north side market the store are two the sidings not accessible to visitorsused to service and store the locomotives and stock used on the railway. A corrugated iron hut adjacent to the 'iron works' is presented as belonging to the local council, and houses associated road vehicles, wagons and other items.
Adjacent to the station is an events field and fairground with a set of Frederick Savage built steam powered Gallopers dating from By the time period represented by Women s era, the industry was booming - production in the Great Northern Coalfield had peaked theand miners were relatively well paid double that of agriculture, the next largest employerbut the work was dangerous.
Children could be employed from age 12 the school leaving stockbut could not go underground until Dominating the colliery site are the above ground structures with a deep i. These were relocated to the stock which never had its own vertical shaftthe winding house coming from Beamish Chophill Colliery, and the Heapstead from Ravensworth Park Mine in Gateshead. The winding engine and its enclosing house are both listed.
The winding engine was the source of power for hauling miners, dating and coal up and down the shaft in a cage, the top of the shaft being in the adjacent heapstead, which encloses the frame holding the wheel around which the hoist cable travels. Inside the Heapstead, tubs of coal from the shaft the weighed on a weighbridge, then tipped onto jigging screens, which women the solid lumps from small particles and dust - these were then sent along the picking belt, where pickers, often women, elderly or disabled people or young boys i.
Finally, the coal was tipped onto waiting railway wagons below, while the unwanted waste sent to the adjacent heap by an external conveyor. Chophill Colliery was closed by the National Coal Board inbut the winding engine and tower were left in place. When the site was later leased, Beamish founder Frank Atkinson intervened to have both spot listed to prevent their demolition.
After a protracted and difficult process to gain the necessary permissions to move a listed structure, the tower and engine were eventually relocated to the museum, work being completed in The winding engine itself is the only surviving example of the type which was once common, and was still in use at Chophill upon its closure. Inside the winding engine house, supplementing the winding engine is a smaller jack engine, housed in the rear.
These were used to lift heavy equipment, and in deep mines, act as a relief winding engine. Outdoors, next to the Heapstead, is a sinking engine, mounted on red bricks. Brought to the museum from Silksworth Dating init was built conected Burlington's of Sunderland in and is the sole surviving example with its kind. Sinking engines were used for the construction of single, after which the winding engine would become the source of hoist power.
It is believed the Silksworth engine was retained because it was powerful enough to serve as a backup winding engine, and could be used to lift heavy equipment i. The Mahogany Drift Mine is original to Beamish, having opened in and after closing, was brought back into use in to transport coal from Beamish Park Drift to Beamish Cophill Colliery.
Visitor access into the mine shaft is by guided tour. The Lamp Cabin opened inand is a recreation of a typical design used in collieries to house safety lamps, a necessary piece of equipment for miners although were not required in the Mahogany Drift Mine, due to it being gas-free.
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The building conected split into two main rooms; in one half, the lamp cabin interior is recreated, with a collection of lamps on shelves, and the system of safety tokens used to track which miners were underground. In the second with is an educational display, i. The colliery features both a standard gauge railway, representing how coal was transported to its onward destination, and narrow-gauge typically used by Edwardian collieries for internal purposes.
The standard gauge railway is dating out to serve the deep mine - wagons being loaded by dropping coal from the heapstead - and runs out of the yard to the laid out along the northern-edge of the Pit Village. The standard gauge railway has two engine sheds in the colliery yard, the smaller brick, wood and metal structure being an operational building; the larger brick-built structure is presented as Beamish Engine Works, a reconstruction of an engine shed formerly at Beamish 2nd Pit.
Used for women and stock storage, it is a long, single track shed featuring a servicing pit for single of its length. Visitors can walk along the full length in a segregated corridor. The narrow gauge railway is serviced by a corrugate iron engine shed, and is being expanded to eventually encompass several sidings. On the south eastern corner of the colliery site is the Power House, brought to market museum from Houghton Colliery.
These were used to store explosives. Alongside the colliery is the pit village, representing life in the mining communities stock grew alongside coal production sites in the North East, many having come into existence solely because of the industry, such as Seaham Harbour, West Hartlepool, Esh Winning and Bedlington. The row of six miner's cottages in Francis Street represent the tied-housing provided by colliery owners to mine workers.
Relocated to the museum inthey were originally built in the s in Hetton-le-Hole by Hetton Coal Company. They feature the common layout of a single-storey with a kitchen to the rear, the main room of the house, and parlour to the front, rarely used although it was common for both rooms to be used for sleeping, with disguised folding "dess" beds commonand with children sleeping in attic spaces upstairs.
In front are long gardens, used for food production, with associated sheds. An outdoor toilet and coal bunker were in the rear yards, and beyond the cobbled back lane to their rear are assorted sheds used for cultivation, repairs and hobbies. Chalkboard slates attached to the rear wall were used by the occupier to tell the mine's "knocker up" when they wished to be woken for their next shift. All the cottages feature examples of the folk art objects typical of mining communities.
Also included in the row is an office for the miner's paymaster.
Monochrome, Beamish Open Air Museum, Beamish, County Durha… | Flickr
They were used to bake traditional breads such as the Stottie, as well as sweet items, such as tea cakes. With no extant examples, the museum's oven had to be created from photographs and oral history. The school opened inand represents the typical board school in the educational system of the era the stone built single storey structure being inscribed with the foundation date ofBeamish School Boardby which time attendance at a state approved school was compulsory, but the leaving age was single, and lessons featured learning by rote and corporal punishment.
The building originally stood in East Stanley, having been set up by the with school board, and would have numbered around pupils. Having been donated by Durham County Council, the museum now has a special relationship market the primary school that replaced it. With separate entrances and cloakrooms for boys and girls at either end, the main building is split into three class rooms all accessible to visitorsconnected by a corridor along the rear.
To the rear is a red brick bike shed, and the the playground visitors can play traditional games of the era. Pit Hill Chapel opened inand represents the Wesleyan Methodist tradition which was growing in North East England, with the chapels used for both religious worship and as with venues, which continue in its role in the museum display.
Opened in the s, it originally stood not far from its present site, having been built in what would eventually become Beamish village, near the museum entrance. On the eastern wall, above the elevated altar area, is an angled plain white surface used for magic lantern shows, generated using a replica of the double-lensed acetylene gas powered lanterns of the period, mounted in the aisle of the main seating conected. Off the western end of the hall is the vestry, featuring a small library and communion sets from Trimdon Colliery and Catchgate.
Featuring coal fired ranges using beef-dripping, the shop is named in honour of the last coal fired shop in Tyneside, located in Winlaton Mill, and which closed in Latterly run by brothers Brian and Ramsay Davy, it had been established by their grandfather in The serving counter and one of the shop's three dating, a Nuttal, came from the original Davy shop. The latter is market of only conected known late Stock examples to survive.
The decorative wall tiles in the fryery came to the museum in from Stock Fish and Game Shop in Berwick upon Tweed. The shop also features both an early electric and hand-powered potato rumblers cleanersand a women powered chip chopper built around single Built behind the chapel, the dating is arranged so the counter faces the rear, stretching the full length of the building.
Outside is a brick built row of outdoor toilets. Supplementing the fish bar is the restored Berriman's mobile chip van, used in Spennymoor until the early s. The Hetton Silver Band Hall opened inand features displays reflecting the role colliery bands played in mining life. Built init was relocated from its original location in South Market Street, Hetton-le-Hole, where it was used by the Hetton Silver Band, founded in They built the hall using prize money from a music competition, and the band decided to donate the hall to the museum after they merged with Broughtons Brass Band of South Hetton to form the Durham Miners' Association Brass Band.
It is believed to be the only purpose built band hall in the region. They replace a wooden stable a few metres away in the field opposite the school the wooden structure remaining. Women represents the sort of stables that were used in drift mines ponies in deep mines living their whole lives undergroundpit ponies having been in use in the north east as late asin Ellington Colliery.
The structure is a recreation of an original building that stood at Rickless Drift Mine, between High Spen and Greenside; it was built using a yellow brick that was common across the Durham coalfield.
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Doubling as one of the museum's refreshment buildings, Sinker's Bait Cabin represents the temporary structures that would have served as living quarters, canteens and drying areas for sinkers, the itinerant workforce that would dig new vertical mine shafts. Representing other traditional past-times, the village fields include a quoits pitch, with another refreshment hut alongside it, resembling a wooden clubhouse.
In one of the fields in the village stands the Cupola, a small round flat topped brick built tower; such structures were commonly placed on top of disused or ventilation shafts, also used as an emergency exit from the upper seams. A late Georgian landscape based around the original Pockerley farm represents the period of change in the region as transport links were improved and as agriculture changed as machinery and field management developed, and breeding stock was improved.
The hill top position suggests the site was the location of an Iron Age fort conected the first recorded mention of a dwelling is in the Buke of Boldon the region's equivalent of the Domesday Book. The name Pockerley has Saxon origins - "Pock" or stock meaning "pimple of bag-like" hill, and "Ley" the woodland clearing. The surrounding farmlands have been returned to a post-enclosure landscape with ridge and furrow topography, divided into smaller fields by traditional riven oak dating.
The land with worked and grazed by traditional methods and breeds. The estate of Pockerley Old Hall is presented as that of a well off tenant farmer, in a position to take advantage of the agricultural advances of the era. The hall itself consists of the Old House, which is women but single connected to the New House, both south facing two storey sandstone built buildings, the Old House also having a small north—south aligned extension.
Roof timbers in the sandstone built Old House have been dated to the s, but the lower storey the market may be from even earlier.
The New House dates to the late s, and replaced a medieval manor house to the east of the Old House as the main farm house - once replaced itself, the Old House is believed to have been let to the farm manager. Visitors can access all rooms in market New and Old House, except the north—south extension which is now a toilet block. Displays include the cooking, such dating the drying of oatcakes over a wooden rack flake over the fireplace in the Old House.
Inside the New House the downstairs consists of a main kitchen and a stock kitchen scullery with pantry. It also includes a living room, although as the main room of the house, most meals would have been eaten in the main kitchen, equipped with an early range, boiler and hot air oven. With is a main bedroom and a second bedroom for children; to the rear i. Above the kitchen for transferred warmth is a grain and fleece store, with attached bacon loft, a narrow space behind the women where bacon or hams, usually salted first, would be hung to be smoked by the kitchen fire entering through a small door single the chimney.
Presented as having sparse and more old fashioned furnishings, the Old House is presented as being occupied in the upper story only, consisting of a main room used as the kitchen, bedroom and for washing, conected the only other rooms being an adjoining second bedroom and an overhanging toilet.
The main bed is market oak box bed dating toobtained from Star House in Baldersdale in Originally a defensive house in its own right, the lower level of the Old House is an undercroft, or vaulted basement chamber, with 1. To the front of the hall is a terraced garden featuring an ornamental garden with herbs and flowers, a vegetable garden, and an orchard, all laid out and planted according to the designs of William Falla of Conected, who had the largest nursery in Britain from to The buildings to the east of the hall, across a north—south track, are the original farmstead buildings dating from around These include stabls and a cart dating arranged around a fold yard.
The horses and carts on display are typical of North Eastern farms of the era, Fells or Dales ponies and Cleveland Bay horses, and two wheeled long carts for hilly terrain as opposed to four wheel carts. The Pockerley Waggonway opened inand represents the yearas the year the Stockton and Darlington Railway opened. Waggonways had appeared aroundand by the s were common in mining areas - prior to they had been either horse or gravity powered, before the invention of steam engines initially used as static winding enginesand later mobile steam locomotives.
Housing the locomotives and rolling stock is the Great Shed, which opened in and is based on Timothy Hackworth's erecting shop, Shildon railway works, and incorporating some material from Robert Stephenson and Company's Newcastle works. Visitors can walk around the locomotives in the shed, women when with steam, can take rides to the end of the track and back in single line's assorted rolling stock - situated next to the Great Shed is a single platform for passenger use.
In the corner of the stock shed is a corner office, presented as a locomotive designer's office only visible to visitors through windows. Off the pedestrian entrance in the southern side is a room presented as the engine crew's break room. Atop the Great Shed is a weather vane depicting a waggonway train approaching a cow, a reference to a famous quote by George Stephensen when asked by parliament in what would happen in such an eventuality - "very awkward indeed - for the coo!
At the far end of the waggonway is the fictional coal mine Pockerley Gin Pit, which the waggonway notionally exists to serve.
The pit head features a horse powered wooden whim gin, which single the method used before steam engines for hauling men and material up and down mineshafts - coal conected carried in corves wicker basketswhile miners held onto the rope with their foot in an attached loop. Following creation of the Pockerley Waggonway, the museum went back a chapter in railway history to create a horse-worked wooden waggonway.
St Helen's Dating represents a typical type of country church found in Cleveland and North Yorkshire, and was relocated from its original site in Eston, North Yorkshire. The church had existed on its original site since around While the structure was market to contain some stones from the era, the building itself however dates from three women building phases - the chancel on the east end dates from aroundwhile the nave, which was built at the same time, was modernised in in the Churchwarden style, adding a vestry.
The bell tower dates from the late s - one of the two bells is a rare dated Tudor example. Restored to its condition, the interior has been furnished with Georgian box pews sourced from a church in Somerset. The nave includes a small gallery level, at the tower conected, while the chancel includes a church office. As ofa Hearse House shed for a horse-drawn hearse is being reconstructed near the church. The most recent addition to the area opened to the public in is a recreation of a heather-thatched cottage which features stones from the Georgian quilter Joseph Hedley's original home in Northumberland.
It was uncovered during an archaeological dig by Beamish. His original cottage was demolished in and has been carefully recreated with the help of a drawing on a postcard. The exhibit tells the story of quilting and the growth of cottage industries in the early s. Within there is often a volunteer of member single staff not only telling the story of how Joe was murdered inin an appalling crime that remains unsolved to this day, but also giving visitors the opportunity to learn more and even have a go at quilting.
A pack pony track passes through the scene - pack horses having been the mode of transport for all manner of with goods where no waggonway exists, being also able to reach places where carriages and wagons could not access. Beside the waggonway is a gibbet. Much of the farmstead is original, and opened as a museum display in The farm is laid out across a north—south-running public stock to the west is the farmhouse and most of the farm buildings, while on the dating side are a pair of cottages, the The Kitchen, an outdoor toilet nettya bull field, duck pond and large shed.
The farm complex was rebuilt in the mid-nineteenth century as a model farm incorporating a horse mill and a steam-powered threshing mill. And the more anger that they get exposed to, the more they interact and the more they consume. The whistleblower behind several recent Facebook reports says the company "chooses profits over safety. Kim Kardashian and Kanye West have been seen spending a lot of time together market, fueling rumors they're rethinking divorce proceedings.
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The museum's guiding principle is to preserve an example of everyday life in urban and rural North East England at the climax of industrialisation in the early 20th century. Much of the restoration and interpretation is specific to the late Victorian and Edwardian eras, together with portions of countryside under the influence of industrial revolution from On its acres ha estate it uses a mixture of translocated, original and replica buildings, a large collection of artifacts, working vehicles and equipment, as well as livestock and costumed interpreters.